video arbor: philly’s nam june paik treasure

have you ever seen nam june paik’s video arbor here in philadelphia?

have you ever seen it working?

have you ever even seen a picture of it working?

do you know who nam june paik is?

whether you know it or not, you are likely familiar with his influence on visuals relating to video. stacks of old-school TVs, robots with cathode ray screen “faces”, things that seem ubiquitous and modern-yet-period — look at paik’s work, and you will see. and, while al gore is credited with coining the phrase “information superhighway”, what are the chances he’d walked by paik’s electronic superhighway, installed at the smithsonian american art museum, before he “thought of it”? (paik had coined the term in 1974; we have a lovely “bill clinton stole my idea” pin from an exhibition called nam june paik in the nineties, but we didn’t see the exhibition — i got the pin on ebay.)

and we have a piece of paik’s work here in philly, and it’s not in a museum. video arbor was dedicated in 1990, and paik had even then expressed concern about exposing the video components to the elements. this indeed has been a problem. that, and disinterest. or poor archiving of video source material on the part of paik himself and his foundation. depends on who you talk to, and maybe it’s a combination of all of those things, but i think out of those three possibilities it’s pretty easy to pinpoint which of them can, and should, change for the better.

shortly after visiting the arbor in 2006 — the year paik died, as the first time i ever heard of him was in reading his obituary — i began knitting an homage to what i thought the piece would look like if it was operational. the “screens” all came together easily and quickly (maybe because they were exactly what was missing from the actual piece in real life)… but, like real wisteria, the knitted wisteria in my piece has been slow to grow. in fact, the piece has become “that pillow” in claudia’s room for some years. which is not to say i won’t finish it.

in 2010, i was inspired to see if i could get the actual video arbor running (not by any clever means, but by sticking my beak in and continuing to follow up on every brush-off bit of info i was fed). art critic and creative connector, the wonderful roberta fallon, suggested i contact the philadelphia redevelopment authority. the RDA were very responsive and prompt in sharing my concern, and they communicated directly with the property management company that runs the condos where the arbor lives. they say the screens are turned on every evening, but that’s not what we see. so, this story is not over, but hear a little about it from the residents of one franklin town (and from me!) in this fascinating piece about philadelphia’s orphaned public art, by peter crimmins.

i’m also keeping a flickr set of both the progress of my piece, and the changes in the video arbor (as well as images from other paik installations and exhibitions we visit.)

as dave kim says, “nam june paik 4 lyfe”.

Protected: childhood apron

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ben and amber — a working unit for a decade.

as of today. a couple for ten years. a house, a printing press, various animals, two children, and a business (papers of incorporation came yesterday!) are just SOME of the things we have done together.

he got me a dancing dror video.

we had a REALLY good date night. we had dinner at a full plate in northern liberties. we went and saw “final destination 5″ in 3D. we went to a stag party at the bike stop.

i don’t need anybody to tell me how lucky i am, although they often do. girl friends, guy friends… MANY friends have told me what a good catch i got. i know it!

béla!

the famous (and much anticipated, i find) gotcha day picture! god knows i was looking forward to sharing it, but i think i got flickr and facebook taken care of that day, and then forgot about here! heck!

anyway, august 6th is that special day upon which we reflect on driving to the airport and saying to each other with panic “WHY DOESN’T THIS FEEL ALL THAT FUN?!” and then having to pee nine thousand times while waiting for the flight to arrive (and recording each of them on facebook) and then seeing the biggest, hunkiest, baby with the silliest black hair ever and then seeing him look at us like “THERE IS NO WAY IN HELL THAT I AM GOING ANYWHERE WITH YOU.”

since i forgot to put it up for three freaking weeks, let’s make up for it with a recent montage of all the wonderfulness which is this puzzle of a boy — who, for all his stubborness and outright punkiness came up to me today and put his arms around me and said, “i will always be your 창수.”


he knows how to make an entrance.


he’s not afraid of licensed characters.


he’s a good drummer.


he can write his name.


he can climb.

and he makes our family complete, which is why we celebrate the first day we saw him and held him and smelled him and got smacked by him. and next year, we’ll try to post about it on time!

making black doll hair “natural”

claudia’s friend allison sent us this tutorial on making black doll hair into natural-looking, curly hair. it works wonderfully, and led me to some other links about black dolls that were helpful — namely, which of the (absolutely necessary in this day and age) eighteen-inchers out there was the best looking black doll (hint: the american girl version didn’t even make the running).

rather than repeat the whole tutorial here, just read it yourself in the link above, and enjoy our photos.

summer sewing roundup

i spent more time on the machine than i often do this summer.

first, i made a couple of kitchen aprons for the kids. i had started these in february but then they got put on the back burner. the kids love doing the dishes in them, and using the “cherry chomper”, the kid-friendly cherry pitter we got at h-mart. claudia’s is in mid-century kitchenware, and béla’s, of course, in robots.

my friend jaime came to visit and give me a tutorial in circle skirts. claudia and i bought some fabric at odunde, printed with djembes. i also put some chartreuse and pink ball fringe on the bottom of it. a friend and owner of a local coffee shop also gave claudia a vintage crinoline, to help the skirt stand out. brilliant!

the most ambitious thing i made was this little dress. i used a favorite free knit-and-sew combo pattern, summerlin, but changed the dimensions somewhat, so that it had more of the look of an outfit we had seen on the staff of a favorite sushi restaurant — a little on the bananarama side. i bought the fabric from the national museum of the american coverlet, and i think that some of the fabrics there have a distinctly african influence and speak to that influence in early america, which i like.

adding the lace edging was a challenge, but a fun one. since it’s in cotton/modal, washing is no problem (already done it!)

the kids have been working on needlework projects as well. in addition to the small plastic canvas pieces (both of them are doing them; smallest, lightest thing i have ever thrown in a bag to successfully keep them busy; they love handing them out as gifts when they are finished, i never even got to scan béla’s first one because he gave it away so fast!), i also set them down at the sewing machine recently. i had bought some plain t-shirts at AC moore and was just letting the kids choose thread colors, and fancy auto-stitches on my machine, and letting them press the power button. they called this “sewing”, so good enough for me.

we hit a rough patch when the machine ate some of claudia’s shirt and i had to cut it free. oh, the look when she saw what had happened to the shirt we had been working on! i told her i was SURE it could be made better than ever! she picked some fabric from my stash, and we cut out a heart shape, and i battened down the hole… and we sewed a beautiful heart. she loves to show people the hole beneath it, which is all stitched down, but is a nice peek-a-boo effect on the inside.

once béla saw claudia’s heart, he wanted to cut out a robot from our apron fabric — and have a robot shirt. but of course!

"mom, it sunny here."

i have been incorporating machine-sewing into hand knitting lately, but more on that later. the machine is staying out on the kitchen table for awhile, as it’s time to get busy on those halloween costumes…

unstoppable!

i just noticed that i never actually POSTED about this. i had just put it in the sidebar. it was awesome fun, so i should post it — particularly since i’ve become even MORE unstoppable since this interview! (to which i have never actually listened.)

the unstoppable amber dorko stopper on artblog radio — by roberta fallon and libby rosof (with peter crimmins)

greetings from washington DC: anne morrow lindbergh’s mittens

we got an unexpected, most-expenses-paid trip to DC for three days this week. an excellent thing.

ben had a meeting in richmond VA today so it was just the kids and me. we went to the air and space museum, where the most interesting thing i saw was anne morrow lindbergh’s mittens. i got some photos, because this seems like the kind of thing someone would love to re-create, although i already see i’m not the first person to ever blog them.

if they’d seemed more like they’d been made from a published pattern, i wouldn’t have been as interested, but they look like a nice one-off, and i liked them.

béla loved the air and space museum and i think we will be moving into his “space” phase concurrent with his “robots” and “guitars” and “hr pufnstuf” phases. (“saturn” came up a LOT today.) as for claude, i’d say that seeing dorothy’s ruby slippers at the museum of american history — something we literally jumped off a double-decker bus to do, when we heard the audio announce that they were in there — was probably her personal high point.

Protected: “demolish the category”: beautiful inspiration (passive acquisition)

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claudia’s first completed needlework project

i set her up this afternoon with some plastic canvas and a plastic needle and some yarn and floss. and to say “she went to town” is an understatement.

sometimes when claudia is drawing, she gets TALKING — a serious stream-of-consciousness that seems to be coming from some OTHER consciousness, as i often hear her use words and phrases i had no idea she ever knew. she has also done this while “knitting” on her own (tangling yarn and cable needles), and again, today, while working on this “NEEDLEWORK”, which is what she called it, as she moved busily from seat to seat in the house, saying “I’VE GOT TO FINISH MY NEEDLEWORK,” and “WHERE IS MY NEEDLEWORK?” she had a really good time. but this type of structured activity really seems to open up something in her mind. i know the feeling!

at one point, ben and i were at our laptops at the kitchen table, with claudia to one side of us, stitching, and béla at the other side, paging through highlights magazine. it was lovely.